Verbicide Magazine Interview w/ Teri of Le Butcherettes
It’s safe to assume there are myriad performers in the world that are products of a neighborhood where feeling safe was never an option. For most of them, though, music (or any form of art) was seen by the community as a gift. However, in the case of Teri Gender Bender (real name Teresa Suaréz), who grew up in Guadalajara, Mexico, the notion of a female speaking her mind through music were not met with much praise and acceptance.
Admittedly shy and timid when not on stage, Teri has been recording with her avant-garde garage punk outfit Le Butcherettes under the Sargent House/RLP umbrella, garnering praise from all directions — something that, at one time, may have seemed unattainable.
Noted by many as a must-see act, Teri is looking at all the avenues that are opening up for her while keeping herself grounded in the reality her rising fame is creating. Calling from a sunny day in Los Angeles, Teri spoke with us to reflect on how all her new options for the future are affecting her art and her world as a whole.
I was thinking about the last time I saw you perform live; it was back at the Highline Ballroom, opening for the ORLG band. I find it amazing how much power you create from such a minimalist setup. Is that something you specifically strive for?
It’s funny that you mention that. For the few people that we have [onstage], we try to push it as much as we can, and it has always been like that since the old days when I was 17 in Mexico. All I could have at my grasp was a guitar and a bass drum, and I guess the fact that I didn’t have much with me made me push myself even further.
Glad I read this. I am so socially awkward off-stage. Thanks for posting Sarg!